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	<id>https://interfaces3.hunter.cryptograss.live/index.php?action=history&amp;feed=atom&amp;title=Bluegrass_BKLYN%2FS4M4_Greg_Kotis%21</id>
	<title>Bluegrass BKLYN/S4M4 Greg Kotis! - Revision history</title>
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	<updated>2026-11-15T08:30:44Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
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	<entry>
		<id>https://interfaces3.hunter.cryptograss.live/index.php?title=Bluegrass_BKLYN/S4M4_Greg_Kotis!&amp;diff=8004&amp;oldid=prev</id>
		<title>HearThatWhistleBlow: Refresh podcast episode from feed</title>
		<link rel="alternate" type="text/html" href="https://interfaces3.hunter.cryptograss.live/index.php?title=Bluegrass_BKLYN/S4M4_Greg_Kotis!&amp;diff=8004&amp;oldid=prev"/>
		<updated>2026-09-16T04:17:40Z</updated>

		<summary type="html">&lt;p&gt;Refresh podcast episode from feed&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
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				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 04:17, 16 September 2026&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l6&quot;&gt;Line 6:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 6:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|audio=https://mcdn.podbean.com/mf/web/e99x9f6gk4vkk5g8/S4M4_Greg_Kotis_FOR_REVIEW_7afud.mp3&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|audio=https://mcdn.podbean.com/mf/web/e99x9f6gk4vkk5g8/S4M4_Greg_Kotis_FOR_REVIEW_7afud.mp3&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|duration=1098&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|duration=1098&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;|image=https://pbcdn1.podbean.com/imglogo/ep-logo/pbblog19730554/S4_ME4_Greg_Kotis_Promo93mwl.png&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|topic=Greg Kotis&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|topic=Greg Kotis&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|description=Liz sits down with Greg Kotis - playwright behind Urinetown - discuss his unexpected journey into bluegrass and how it became a defining creative force. From picking up a banjo during the pandemic to weaving old-time tunes into original theatrical work, he shares how bluegrass reshaped his artistic life and inspired productions like The End of All Flesh and the fully improvised musical The Wayfaring Strangers. It’s a conversation about creativity, community, and the surprising places a single...&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|description=Liz sits down with Greg Kotis - playwright behind Urinetown - discuss his unexpected journey into bluegrass and how it became a defining creative force. From picking up a banjo during the pandemic to weaving old-time tunes into original theatrical work, he shares how bluegrass reshaped his artistic life and inspired productions like The End of All Flesh and the fully improvised musical The Wayfaring Strangers. It’s a conversation about creativity, community, and the surprising places a single...&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>HearThatWhistleBlow</name></author>
	</entry>
	<entry>
		<id>https://interfaces3.hunter.cryptograss.live/index.php?title=Bluegrass_BKLYN/S4M4_Greg_Kotis!&amp;diff=7221&amp;oldid=prev</id>
		<title>HearThatWhistleBlow: Refresh podcast episode from feed</title>
		<link rel="alternate" type="text/html" href="https://interfaces3.hunter.cryptograss.live/index.php?title=Bluegrass_BKLYN/S4M4_Greg_Kotis!&amp;diff=7221&amp;oldid=prev"/>
		<updated>2026-09-13T17:43:34Z</updated>

		<summary type="html">&lt;p&gt;Refresh podcast episode from feed&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
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				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 17:43, 13 September 2026&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l7&quot;&gt;Line 7:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 7:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|duration=1098&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|duration=1098&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|topic=Greg Kotis&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|topic=Greg Kotis&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|description=Liz sits down with Greg Kotis - playwright &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;behind Urinetown &lt;/del&gt;- discuss his unexpected journey into bluegrass and how it became a defining creative force. From picking up a banjo during the pandemic to weaving old-time tunes into original theatrical work, he shares how bluegrass reshaped his artistic life and inspired productions &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;like The &lt;/del&gt;End of All &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Flesh and &lt;/del&gt;the fully improvised &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;musical The &lt;/del&gt;Wayfaring Strangers. It’s a conversation about creativity, community, and the surprising places a single...&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|description=Liz sits down with Greg Kotis - playwright &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;behind Urinetown &lt;/ins&gt;- discuss his unexpected journey into bluegrass and how it became a defining creative force. From picking up a banjo during the pandemic to weaving old-time tunes into original theatrical work, he shares how bluegrass reshaped his artistic life and inspired productions &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;like The &lt;/ins&gt;End of All &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Flesh and &lt;/ins&gt;the fully improvised &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;musical The &lt;/ins&gt;Wayfaring Strangers. It’s a conversation about creativity, community, and the surprising places a single...&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>HearThatWhistleBlow</name></author>
	</entry>
	<entry>
		<id>https://interfaces3.hunter.cryptograss.live/index.php?title=Bluegrass_BKLYN/S4M4_Greg_Kotis!&amp;diff=6274&amp;oldid=prev</id>
		<title>HearThatWhistleBlow: Refresh podcast episode from feed</title>
		<link rel="alternate" type="text/html" href="https://interfaces3.hunter.cryptograss.live/index.php?title=Bluegrass_BKLYN/S4M4_Greg_Kotis!&amp;diff=6274&amp;oldid=prev"/>
		<updated>2026-08-30T01:56:15Z</updated>

		<summary type="html">&lt;p&gt;Refresh podcast episode from feed&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 01:56, 30 August 2026&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;proposed by=&quot;Magent&quot;&amp;gt;&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{PodcastEpisode&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{PodcastEpisode&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|podcast=Bluegrass BKLYN&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|podcast=Bluegrass BKLYN&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l10&quot;&gt;Line 10:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 9:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|description=Liz sits down with Greg Kotis - playwright behind Urinetown - discuss his unexpected journey into bluegrass and how it became a defining creative force. From picking up a banjo during the pandemic to weaving old-time tunes into original theatrical work, he shares how bluegrass reshaped his artistic life and inspired productions like The End of All Flesh and the fully improvised musical The Wayfaring Strangers. It’s a conversation about creativity, community, and the surprising places a single...&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|description=Liz sits down with Greg Kotis - playwright behind Urinetown - discuss his unexpected journey into bluegrass and how it became a defining creative force. From picking up a banjo during the pandemic to weaving old-time tunes into original theatrical work, he shares how bluegrass reshaped his artistic life and inspired productions like The End of All Flesh and the fully improvised musical The Wayfaring Strangers. It’s a conversation about creativity, community, and the surprising places a single...&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&amp;lt;/proposed&amp;gt;&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-added&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>HearThatWhistleBlow</name></author>
	</entry>
	<entry>
		<id>https://interfaces3.hunter.cryptograss.live/index.php?title=Bluegrass_BKLYN/S4M4_Greg_Kotis!&amp;diff=5519&amp;oldid=prev</id>
		<title>Magent: Podcast episode, subjects parsed from the feed title (via create-page on MediaWiki MCP Server)</title>
		<link rel="alternate" type="text/html" href="https://interfaces3.hunter.cryptograss.live/index.php?title=Bluegrass_BKLYN/S4M4_Greg_Kotis!&amp;diff=5519&amp;oldid=prev"/>
		<updated>2026-08-20T22:28:26Z</updated>

		<summary type="html">&lt;p&gt;Podcast episode, subjects parsed from the feed title (via create-page on MediaWiki MCP Server)&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;&amp;lt;proposed by=&amp;quot;Magent&amp;quot;&amp;gt;&lt;br /&gt;
{{PodcastEpisode&lt;br /&gt;
|podcast=Bluegrass BKLYN&lt;br /&gt;
|title=S4M4 Greg Kotis!&lt;br /&gt;
|date=2025-11-30&lt;br /&gt;
|url=https://bluegrassblkyn.podbean.com/e/s4m4-greg-kotis/&lt;br /&gt;
|audio=https://mcdn.podbean.com/mf/web/e99x9f6gk4vkk5g8/S4M4_Greg_Kotis_FOR_REVIEW_7afud.mp3&lt;br /&gt;
|duration=1098&lt;br /&gt;
|topic=Greg Kotis&lt;br /&gt;
|description=Liz sits down with Greg Kotis - playwright behind Urinetown - discuss his unexpected journey into bluegrass and how it became a defining creative force. From picking up a banjo during the pandemic to weaving old-time tunes into original theatrical work, he shares how bluegrass reshaped his artistic life and inspired productions like The End of All Flesh and the fully improvised musical The Wayfaring Strangers. It’s a conversation about creativity, community, and the surprising places a single...&lt;br /&gt;
}}&lt;br /&gt;
&amp;lt;/proposed&amp;gt;&lt;/div&gt;</summary>
		<author><name>Magent</name></author>
	</entry>
</feed>